

Camera Gear
• Sony Alpha 7 IV (Sony a7 IV) with 28–70 mm f/3.5–5.6 OSS Zoom Lens
• DJI RS 4 Mini (Gimbal Stabilizer)
• Spike Tape / Paper Tape (Assorted Colors)
Lighting Gear
• Aputure Light Storm 600c Pro
• Aputure Light Storm 600d Pro
• 2 × Aputure Light Storm 300d Mark II
• 2 × Aputure MC RGBWW Mini LED Lights
• Aputure F10 Fresnel Lens Attachment
• Aputure Light Dome 150 Softbox
• Westcott Octa Rapid XL (36" Collapsible Softbox w/ Removable Diffuser)
Grip & Electrical Gear
• 2 × Adorama Flashpoint C-Stands
• Stinger (Extension) Cords (Assorted Lengths)
• Blackwrap (Cinefoil)
• Duvetyne Fabric
• Variety of Colored Gels
• Distortion Tools
• Spring Clamps (Assorted Sizes)
• Rope
• Gaffer’s Tape (Assorted Colors)
• Full Kit of Tools & Expendables (commonly used on set)
Lighting & Electric (G&E):
Camera Systems & Operation:
Production Environments & Platforms:
Software & Technical Tools:
I’m a dedicated and versatile film crew member specializing in Grip & Electric, Cinematography, and Camera Department work, with hands-on experience on over 30 short films, music videos, and narrative productions. I’ve held key roles including Gaffer, Key Grip, 1st/2nd Assistant Camera, and Director of Photography, demonstrating strong technical expertise in lighting, power distribution, and camera systems such as the ARRI Alexa, Sony FX series, and Canon DSLRs.
I’m a 2025 Film Production B.A. graduate from Full Sail University, bringing a safety-focused mindset and a team-oriented approach to every production. Whether I’m rigging complex lighting setups, managing focus and media, or crafting compelling visual aesthetics as a DP, I strive to support the director’s vision with precision, artistry, and efficiency.
I’m passionate about storytelling through lighting and composition, and I take pride in being adaptable, reliable, and detail-driven on every set. From narrative shorts to music videos, I’m always ready to collaborate and contribute to projects that push creativity forward.